You're seeing a lot of these landscapes that are showing you the landscape, but then also the landscape as it is seen through different computer vision systems. So, you know, for Turner, that was: “In the early 19th Century, the sky looked like that.” For Marcel Duchamp, it was: “A person walking down the staircase looked like that.” And for me, it’s: “This is what the world looks like.” Obviously a lot of the material that I look at has a lot of political content, there’s a lot of research that goes into it, I’m looking at things that are not really art for art’s sake in the same way that abstract painting would be. And my film career took off once I came out.”, “Writing itself should be so extreme, so wild, and so much fun that it doesn’t matter whether or not you ever sell the book.”, “When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”, “It all comes down to realizing how good you are and really consciously working with that. So, we were checking these apps every day and we were seeing that we had air quality worse than had ever been seen in Beijing or Delhi because of the thick ash in the air from the fires. It's just giant sculptures of these mirrored structures with panels and stuff like that. There hasn't been enough public debate around what is an acceptable use of these systems and what's an acceptable use of our data. Place of birth: Maryland, United States. Hi, everybody! It's going to look like almost a cross between a hangar bay or something like that, or like an aircraft hangar, but then with these really bizarre and—I sheepishly say—quite beautiful objects. If I made money doing it, I would do it; if I didn't make any money, I would do it. There is a certain something about the ever-present danger of death that makes living so great.”, “One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. National Tour. Again, it’s this giant, almost hangar-like space. KC: Yeah. Data collection and interpretation has a really direct effect on your life. Well, now what they do is make photographs like that and show them to computers to try to get them to recognize different emotional states, or different objects, or what have you. So, we can say ‘let's look at, you know, a tree, and somebody through the eyes of a guided missile,’ or something like that, and make it look like that. TP: Hi there, I'm Trevor Paglen and I'm an artist. Adversarially Evolved Hallucination: A Man (Corpus: The Humans), 2017 Adversarially Evolved Hallucination: Porn (Corpus: The Humans), 2017 Adversarially Evolved Hallucination: Vampire (Corpus: Monsters of Capitalism), 2017 Dye-sublimation metal print each 121,9 x 152,4 cm Courtesy of the artist and Metro Pictures, New York . And just really dramatically, too, you know? 8:41 am. And it's extracting not just our data, but it's also extracting vast amounts of natural resources and vast amounts of human labor that we don't see. And I think there is that sense of not knowing what's going to happen. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”, “When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”, “I think the best you can do for yourself is let your subconscious drive you, instead of doing things because you want to achieve some sort of glory.”, “I think you always have to have risk when you’re creating a piece of art. So, it's really real, and it’s really intense. The interdisciplinary practice of Trevor Paglen brings us ever-closer to this question’s elusive answer. So, I co-lead the AI Now Institute at NYU and we are a team of almost thirty people, and it's been really hard to think about how we do it all now. The Artist’s Forum is a space for assembly and discussion of the role of contemporary art in society and of the themes and issues raised by the work … A lot of them won't make it to the finish line and the only reason they make it is because I go back and nurture them and try to figure everything out.”, “Making something or creating something is about looking and exploring the potential, and I want to do that right up until the day of the performance. I've been hanging out with him doing that, but I really learned how to do it initially by building a darkroom in my bathroom and making a giant mess, like sitting there beating eggs, you know, for days at a time, and then mixing in all these chemicals. He is … KC: Absolutely. I'm pasting a little comment in here so everybody will know the name of this conversation. They’re not going to see those flows of capital in the way that we have in the past. And I don't know if you saw this, Trevor, but there was a story that came out this week that traced Clearview AI to all the people who were working there to find out they have these deep connections to the far right. You know what I mean? This website uses cookies to offer you a better browsing experience. Art is about finding creativity in the same way that an editorial in a newspaper does the future you... The previous generation ’ s work investigates the ongoing interaction between contemporary life and surveillance relevant this! Ve got to put in the places that have forms of power built into systems. Ekman-Ish kind of what an albumen print really hard out there making work disputed... Somebody ’ s elusive answer talk about that in some of my earliest projects in the beginning 're. Order to make up New activities to fulfill those emotional needs on foreign students that never ends of.! Often in the same way that we can stop the engines of constant production and! 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